Personally, what I do, is to use GPO sounds of "front" in the mix by re-inflating the set when needed by doubling sounds with more realistic and less than I otherwise, like tablecloths. If that's the intimate, it may stick, but if you want the Hollywood's going to be just.Īgainst by the sounds, as I said above, are realistic and tasteful, and joints, and many relevant. On the other hand, if you want to do a complete and final prod, it may sound a bit small. In my opinion this is a plus for the composition as it is not fooled by the sound and you have to get in writing how to make it sound, which I think is a very good thing if we want to play music by real instruments. The sound alone is certainly fairly realistic, but not necessarily sexy. Where it is fishing a little sound, it is not flattering or very large as in some banks where current when playing a single note was already in the emotion that flows alone. That said, it's a classic that "everyone uses" so the pb comes perhaps from me I would probably take my time to learn, but I've never found intuitive. Failure to me is the use of Kontakt player, which to me is always a problem.
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